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The most important, inexplicable robbery in Japan’s history – 300 million yen vanish in broad daylight – becomes an obsession for Inspector Nakamura. A fifty-year investigation reveals a disconcerting truth: this perfect crime conceals the dark soul of a country torn between modernity and tradition, honour and corruption.
Tokyo, 2018. The elderly Inspector Nakamura is expecting a television crew who want to interview him, forcing him to relive the worst failure of his career: the enquiry into the Great Robbery of 1968.
Tokyo, 1968. The young, brilliant and determined Nakamura is certain that solving this case will be child’s play. An armoured van robbery, 300 million yen go missing, an improvised, lucky amateur heist. Only what looks like a simple case turns into a momentous investigation, a mystery that will cast a fifty-year-old shadow over Tokyo and its police force.
As the enquiries proceed, Nakamura uncovers a crime that is seemingly without victims, but full of dark implications: fragmented lives, deadly obsessions and unspeakable secrets that bring to light the murkiest side of Tokyo, a fascinating, ever-changing city capable of glowing with splendour, but equally of concealing a dark, throbbing heart.
“The author succeeds on two fronts: in weaving an engaging plot and at the same time writing a compendium of Japanese culture and sociology for Westerners.”
Corriere della Sera
Option Publishers: Arabic World Rights: Al Arabi Publishing.
Tommaso Scotti (1984) is a mathematician whose passion for martial arts made him move to the Far East in 2010. He subsequently obtained a Ph.D. in Tokyo, where he now lives and works. In his free time, he devotes himself to calligraphy and playing the piano. With his novels L’ombrello dell’imperatore (The Emperor’s Umbrella, 2021), Le due morti del signor Mihara (Two deaths of Mr Mihara, 2022) and I diavoli di Tokyo Ovest (West Tokyo Devils, 2023) he conquered readers and critics alike, thanks to the character of the Japanese-American Inspector Nishida, as well as the inquisitive and realistic viewpoint through which he describes an unfamiliar and often misunderstood Japan.
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